“Sonic the Hedgehog” is an Annoying Contrivance: A Film Review by Alec Frazier and Autistic Reality

A Movie Poster for Sonic the Hedgehog

A massive nonsensical wonder of oversimplified, forced plot, high school level writing, less than zero grip on reality, and irritating character dynamics, the overly hyper Sonic the Hedgehog serves as the absolute warning of what happens when you do crack, meth, and speed all at once.

In the late 1980s and early 1990s, primitive videogame graphics focused on easily rendered heroes. Sega scored an absolute hit with a superfast neon blue hedgehog named Sonic who traveled with a two-tailed fox and craved gold rings whilst fighting the evil Dr. Robotnik. The Sonic franchise was later branched out into cartoons and comics with some success, before petering out about 2005. Today, in 2020, Hollywood has revived this franchise, as they are wont to do with seemingly every creation of yesteryear.

The film follows our titular hero, Sonic the Hedgehog (voice and facial motion capture provided by (Ben Schwartz) as he spends approximately two and a half minutes growing up on a home planet that is clearly of no concern, and then flees to earth where he engages in unhealthy stalker tendencies of a rural police officer, Tom Wachowski (James Marsden), and his wife Maddie (Tika Sumpter), all the while acting more hyper than Billy Mays and Oxiclean commercial. Sonic has a baseball-fueled hissy fit, which draws the attention of the very poorly represented military establishment and the evil mad scientist Dr. Ivo “Eggman” Robotnik (Jim Carrey, who needs to fire his agent pronto). Poorly written hijinks ensue, loaded with fourth-grade jokes, bar fights, and admittedly cool robotics.

Approximately the first third or half of the film is mess, with unbelievable reactions on the parts of all of the characters. Admit it: if you suddenly found a neon blue CGI character constantly by your side, you would run for the hills or try to kill it. In no time flat, Wachowski becomes best buddies with such a creature. While these character relationships do not make sense, they are fun to watch, and should provide many laughs for the children. However, the now adult geeks who grew up with this franchise will find the absolute lack of maturity a turnoff.

Robotnik vacillates between being a comedic foil, a despot, and a thoroughly insane ball of nonsense. The military brass in the film admit that there is absolutely no reason for him to get involved, and that he is a bona fide nutcase, yet they call him in anyway. Robotnik is a master of robotics and drone technology, a plot device which shows much potential, and actually looks quite cool on screen. Nevertheless, his lack of character consistency and irritatingly repulsive unlikability will put anyone off of liking the portrayal. For his sins, Robotnik ends the film trapped in a poorly conceived Mario World satire.

Even for buddies in a chase film, Sonic and Wachowski are forced into unrealistic and even offensive situations. Sonic consistently does things in his own worst interest, because he is so hyper and immature. At one point, he drags Wachowski to an all-night roadhouse by the side of the highway and shreds the film’s credibility even further by posing as a child and then a person with a skin deformity while doing the most clichéd things such as completing a bucket list, starting fights, and pulling pranks. Maddie’s sister Rachel (Natasha Rothwell) is an obnoxiously racist stereotype of a fretting, squealing, screeching black woman that is out of place in the year 2020. Endless unbelievable situations present themselves, from people who look the other way when confronted with potential abducted children to the chairman of the Joint Chiefs of Staff giving out Olive Garden gift cards to national heroes. The good news is that children will not know the difference, and the writing is about at their level, so they should have a blast.
Sonic Before and After Re-Rendering
It must be recognized that a significant amount of money and time was spent completely re-rendering the Sonic character, and endeavored that Paramount spent a great deal of money on. In fact, this controversy and other poor decisions forced the 3D animation studio they contracted with to go under and close up shop. It will take a significant number of box office receipts to remake the money spent on this film. And, despite the studio’s greatest efforts, the animation just isn’t top-notch.
What We All Really Want: The Game of Decades Past
After viewing this film, one will understand the fever dream that prompted Hunter S. Thompson to write Fear and Loathing in Las Vegas. Sonic the Hedgehog is more like a bad acid trip than a coherent creation.

Rating: 31%, or 3/10, or 2/5.

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